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Don Giovanni

MEAT MARKET STABLES
2 WRECKYN ST, NORTH MELBOURNE
PREVIEW: 24 SEP 2024
PERFORMANCES: 25 - 28 SEP 2024

Exploring a modern take on Don Giovanni, through BDSM, sex and violence.

Don Giovanni is no dom, but a predator, taking advantage of the relaxed environment. Leporello, the tortured aide to Don Giovanni, is growing weary of aiding and abetting his narcissistic boss. Together, they enter a BDSM play party to find new diversions.


This dark and intimate production explores the line between consensual sexual proclivities and abuse. Don Giovanni stars some of Australia's finest emerging artists.


TRIGGER WARNINGS: Depictions of violence, sexual violence, sexual activity, drug use, haze, flashing lights

DON GIOVANNI : ARCHIE RUMSAM
LEPORELLO : NICK BEECHER / CHRISTOPHER-JACK ANDREW
ELVIRA
 : ESTHER COUNSEL
DONNA ANNA 
: PHOEBE PAINE
DON OTTAVIO : ALEX GORBATOV
ZERLINA: MAYA CHARLES SEDERGREEN
MASETTO: LEYLAND JONES
IL COMMENDATORE : ALISON LEMOH
DIRECTION & DESIGN / KATE MILLETT
CONDUCTOR / GLORIA GAMBOZ
REPETITEUR / KEVIN TAMANINI

SET DESIGN / MAX BOWYER
LIGHTING DESIGN / GABRIEL BETHUNE
SOUND DESIGN / ETHAN HUNTER
COSTUME DESIGN /
OLIVER HALL
INTIMACY COORDINATION / COHAN + MICAH PATSTON
FIGHT CHOREOGRAPHY /
RICARDO MAGNO
BDSM CONSULTANT / HIMBOY
STAGE MANAGER /
ESTELLA KOCE
BRUNSWICK MECHANICS INSTITUTE

8PM THU 8 SEP 2022
8PM FRI 9 SEP 2022
8PM SAT 10 SEP 2022

CONDUCTOR'S NOTE

Mozart’s opera the ‘Dissolute punished or Don Giovanni’, based on the ubiquitous Don Juan story, was composed over several short months in Vienna and premiered in Prague in 1787. It was commissioned by the National Theatre of Bohemia following on from Mozart’s earlier success with his opera Le nozze di Figaro. A revised version incorporating musical and dramatic changes suited to a new cast premiered in Vienna a year later. This production of Don Giovanni is based on the revised Vienna version.


Don Giovanni is subtitled Dramma giocoso or ‘cheerful play’, however Lorenzo da Ponte’s libretto about the debauched libertine revels in playful juxtapositions of both comedy and tragedy. These sudden shifts in musical and dramatic tension pose considerable challenges for singers, challenges made all the greater in our production by the exposed traverse staging. Given all the musical and dramatic complexities of this great opera it is even more remarkable that for some of our cast members this production marks their first leading role or very first opera performance.

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